Apartheid's Festival: Contesting South Africa's National Pasts
(eBook)

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Published
Indiana University Press, 2003.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253028310

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Citations

APA Citation, 7th Edition (style guide)

Leslie Witz., & Leslie Witz|AUTHOR. (2003). Apartheid's Festival: Contesting South Africa's National Pasts . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Leslie Witz and Leslie Witz|AUTHOR. 2003. Apartheid's Festival: Contesting South Africa's National Pasts. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Leslie Witz and Leslie Witz|AUTHOR. Apartheid's Festival: Contesting South Africa's National Pasts Indiana University Press, 2003.

MLA Citation, 9th Edition (style guide)

Leslie Witz, and Leslie Witz|AUTHOR. Apartheid's Festival: Contesting South Africa's National Pasts Indiana University Press, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID7421a5fc-54ef-4a9f-d525-cf21353397cf-eng
Full titleapartheids festival contesting south africas national pasts
Authorwitz leslie
Grouping Categorybook
Last Update2023-11-21 18:08:37PM
Last Indexed2024-04-27 03:29:25AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 29, 2022
Last UsedJun 29, 2022

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    [synopsis] => Apartheid's Festival highlights the conflicts and debates that surrounded the 1952 celebration of the 300th anniversary of the landing of Jan Van Riebeeck and the founding of Cape Town, South Africa. Taking place at the height of the apartheid era, the festival was viewed by many as an opportunity for the government to promote its nationalist, separatist agenda in grand fashion. Leslie Witz's fine-grained examination of newspapers, brochures, pamphlets, and advertising materials reveals the expectations of the festival planners as well as how the festival was engineered, historical figures were reconstructed, and the ANC and other anti-apartheid organizations mounted opposition to it. While laying open the darker motives of the apartheid regime, Witz shows that the production of local history is part of a global process forged by the struggle between colonialism and resistance. Readers interested in South Africa, representations of nationalism, and the making of public history will find Apartheid's Festival to be an important study of a society in transition.
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