Young Leonardo: The Evolution of a Revolutionary Artist, 1472-1499
(eBook)

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Published
St. Martin's Publishing Group, 2017.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781250129369

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Citations

APA Citation, 7th Edition (style guide)

Jean-Pierre Isbouts., Jean-Pierre Isbouts|AUTHOR., & Christopher Heath Brown|AUTHOR. (2017). Young Leonardo: The Evolution of a Revolutionary Artist, 1472-1499 . St. Martin's Publishing Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jean-Pierre Isbouts, Jean-Pierre Isbouts|AUTHOR and Christopher Heath Brown|AUTHOR. 2017. Young Leonardo: The Evolution of a Revolutionary Artist, 1472-1499. St. Martin's Publishing Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jean-Pierre Isbouts, Jean-Pierre Isbouts|AUTHOR and Christopher Heath Brown|AUTHOR. Young Leonardo: The Evolution of a Revolutionary Artist, 1472-1499 St. Martin's Publishing Group, 2017.

MLA Citation, 9th Edition (style guide)

Jean-Pierre Isbouts, Jean-Pierre Isbouts|AUTHOR, and Christopher Heath Brown|AUTHOR. Young Leonardo: The Evolution of a Revolutionary Artist, 1472-1499 St. Martin's Publishing Group, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID311e8b6b-7791-79e9-356f-37cd0cabfbfe-eng
Full titleyoung leonardo the evolution of a revolutionary artist 1472 1499
Authorisbouts jean pierre
Grouping Categorybook
Last Update2024-05-15 02:01:12AM
Last Indexed2024-05-21 02:31:55AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 2, 2023
Last UsedSep 2, 2023

Hoopla Extract Information

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    [synopsis] => Provocative and original, this fresh look at Leonardo da Vinci's formative years in Florence and Milan provides a radically different scenario of how he created his signature style that would transform Western art forever.

The traditional view of Leonardo da Vinci's career is that he enjoyed a promising start in Florence and then moved to Milan to become the celebrated court artist of Duke Ludovico Sforza. Young Leonardo presents a very different view. It reveals how the young Leonardo struggled against the prevailing style of his master Verrocchio, was stymied in his efforts to produce his first masterpiece in Florence, and left for Milan on little more than a wing and a prayer. Once there, he was long ignored by Duke Ludovico, and enjoyed only tepid Sforza support after his great equestrian project came to nothing. Meanwhile, all the major Sforza commissions went to artists whose names are now forgotten.

Isbouts and Brown depict Leonardo's seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to the Last Supper. The authors also explore a mysterious link between the Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-sized copies of the Last Supper, now in Belgium and the U.K., were actually commissioned by the French King Louis XII and painted under Leonardo's direct supervision.

Young Leonardo is a fascinating window into the artist's mind as he slowly develops the groundbreaking techniques that will produce the High Renaissance and change the course of European art.
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