Le Boogie Woogie: Inside an After-Hours Club
(eBook)

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Published
Columbia University Press, 2020.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231549387

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Citations

APA Citation, 7th Edition (style guide)

Terry Williams., & Terry Williams|AUTHOR. (2020). Le Boogie Woogie: Inside an After-Hours Club . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Terry Williams and Terry Williams|AUTHOR. 2020. Le Boogie Woogie: Inside an After-Hours Club. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Terry Williams and Terry Williams|AUTHOR. Le Boogie Woogie: Inside an After-Hours Club Columbia University Press, 2020.

MLA Citation, 9th Edition (style guide)

Terry Williams, and Terry Williams|AUTHOR. Le Boogie Woogie: Inside an After-Hours Club Columbia University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDb47a2550-cc0c-495d-a09e-8afb146321cc-eng
Full titlele boogie woogie inside an after hours club
Authorwilliams terry
Grouping Categorybook
Last Update2022-10-18 20:50:33PM
Last Indexed2024-04-27 04:09:41AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 28, 2022
Last UsedJun 28, 2022

Hoopla Extract Information

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    [synopsis] => The "after-hours club" is a fixture of the African American ghetto. It is a semisecret, unlicensed "spot" where "regulars" and "tourists" mingle with "hustlers" to buy and use drugs long after regular bars are closed and the party has ended for the "squares." After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access.

The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and '90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club's active bar, with its colorful staff and owner and the "sniffers" who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy's Bar, twenty years later to show how "cool" remains essential to those outside the margins of society even as what it means to be "cool" changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.
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